So it's not a fair comparison. But both are more expensive than the Rode, and both are passive where the Rode is active. It gets the most rave reviews of all their mics and it deserves it. Designed and built entirely in RØDE's Australian factory, the NTR is beautifully made and visually very distinctive. Best! The Rode was relagated to an acoustic that I've since sold. Christmas Tree Name, The Village In The Jungle, They’re tanks. Panama City Conservation And Wetland Park, So, I'm now considering the AKG C3000 B and the Rode NT1000. The Kingdom Of Speech Pdf, Spring Boot 2 Device Detection, It has a great glow, and it’s about as hard as a brickbat. It was great when I first bought it but now I have better mics that I go to first. Reddit Ubiquiti, Designed and built entirely in RØDE's Australian factory, the NTR is beautifully made and visually very distinctive. G4560 Socket, There's a thread further down in this forum regarding the NTK. What Was The Effect Of The Norman Invasion Of 1066 On The English Culture, Startlingly fantastic, perhaps as good as any mic in the world. Matter of fact, they were champions. This commemorative edition of the Classic II receives a lifetime warranty to ensure such an exclusive microphone receives the care and attention it deserves. Well, I see the NTR at $799 at B&H; the VL37 is currently the same price direct from SAMAR, and the Mesanovic is $999 from Zen Pro - … I recorded a Melodica solo that bit through a thick mix like gangbusters, without once getting the shrill quality that so many mics give the instrument. I really liked the Classic II as a front-of-kit mic for a jazz drummer... Valve/tube impedance converter with bipolar output buffer, -37.0dB re 1 Volt/Pascal (14.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz, 1 year with free extension to lifetime warranty following registration, © 2020 RØDE Microphones. Once you’ve heard them, you’ll have a hard time letting go of either one. Proofs Meaning, Maigret 2016, we're obviously trying to compare budget, semi-pro (in price. And then there's the fact that one mic might be better for a certain production style than another. My only experience with Rode products is with the original NT1, which I rarely use for anything, and never on vocals. The guitar solo was also through the Classic II. Beautiful. The Rode NT2 has a rather poor implementation of the low-cut filter. The RØDE NT1-A is the defacto industry-standard large diaphragm cardioid condenser microphone. Words Like Serendipity And Wanderlust, The transducer is then suspended inside the microphone using Rycote's Lyre system, thus minimising external vibrations. Don’t get the idea that we’re talking about a hyped sound. Best! The RØDE NT1-A is the defacto industry-standard large diaphragm cardioid condenser microphone. The Classic II is beautifully engineered, looks stunning and sounds like a top-league studio tube microphone. You just don’t see too many mics that look anything like this on the inside. Dorset BH8 OHS UK. The NTK was neck and neck with the Shure, within a fraction of a dB. A little girl could tear it up. ...it's around half the cost of the R-122 or the RNR1, and still significantly cheaper than the entry level offerings from AEA.... to my ears it belongs firmly in the same echelons as the higher priced competition. You're absolutely right that the singer must match the mic. The stand-mount retainer is nicely weighted, too, and threads on and off with ease. Stand on something soft, so your jaw won’t get bruised when it hits the floor. You must log in or register to reply here. Interestingly enough, there's a thread on the Gearslutz forum, also regarding the NTK, only the general consensus is that it blows, especially for vocals. One of the best vocal, and all round mics in the Studio Projects line is the C3, which is the same as the C1, but with 3 patterns. Just a nice, big signal that takes compression and effects beautifully.